The Solitary Daisy – Issue 12
Hello Haijin!
Sally and Michele are waving at you from lovely Penticton, BC, where we are attending the Wine Country Writers Festival.
Hello Haijin!
Sally and Michele are waving at you from lovely Penticton, BC, where we are attending the Wine Country Writers Festival.
Although I’ve never been one for podcasts, this past Tuesday I impulsively decided to tune in to the Poetry Pea Podcast.
In lieu of a lesson this week, Michele has provided the following link to a video. Haiku: The Poetry of Focus with Scott Mason
“To Live Here” is a just-released anthology of haiku. Both Michele Rule and Sally Quon are contributing haiku poets.
There’s often much talk about the difference between haiku and senryu. Many folks feel there shouldn’t be a distinction, and I do understand their point; however, in the process of thinking about this specific point, it bears knowing a little bit about the history of both genres.
There’s often much talk about the difference between haiku and senryu. Many folks feel there
shouldn’t be a distinction,
Hello! Konnichiwa, and welcome to The Solitary Daisy, a place for people who love haiku/senryu and other Japanese short forms.
Here are 10 devices that can “turn off” experienced editors, judges & haikuists. You might want to avoid them or use them carefully:
Hello everyone! I’m so pleased to see all the fabulous haiku appearing in every newsletter! Well done!
I thought his explanation of syllables in haiku was very good. Some journals do insist on 5-7-5 still and others don’t want any 5-7-5,